The audience member whom magician Apollo Robbins invited up to the stage appeared to harbor second thoughts—and with good reason. Robbins, “the Gentleman Thief,” specializes in pickpocketing, sleight-of-hand and con games.
Sure enough, despite the audience member’s heightened awareness, Robbins lifted the man’s watch from his wrist (and put it on his own) and swiped his cell phone.
Robbins and fellow magician Eric Mead were the guests of honor at the fifth “Dialogues Between Neuroscience and Society” lecture, one of the first events at this year’s Society for Neuroscience (SfN) meeting in Chicago.
“There’s no better way to find out how our brains work … and by extension how our minds work, than to find out how we can be deceived and how we can be made to believe the impossible,” SfN President Tom Carew said in introducing the pair.
Mead led off with a memory trick, asking an audience member to memorize shapes on a card. He then had her close her eyes and visualize a scene that included only four of the five shapes she had seen. Sure enough, she remembered only those four shapes afterward.
Memory is central to the magician’s craft, Mead said after the trick. “It’s important after the show that people remember certain things and forget certain things,” he said. If an audience member describes a show a week later, he wants them to have forgotten certain revealing details. His methods include distractions that prevent a memory from being encoded in the first place or implanting a benign false memory, such as getting a participant to agree that things happened in a subtly different way than they actually occurred.
Robbins, who has established a counter-theft organization that draws on knowledge from both law enforcement officials and former criminals, cited three tools he uses to deceive: proximity, movement and manipulating another person’s internal dialogue.
The use of personal space can begin to divide a subject’s attention, Robbins noted. Entering someone’s personal space head-on can be uncomfortable, but less so if eye contact breaks or if one person moves to the side of the other.
Certain movements, meanwhile, draw the eye—smooth motion in particular. Moving a coin in this way distracted Robbins’ audience member and helped the magician in his thievery. Robbins also got the man thinking about the coin and where Robbins would make it appear next; in second-guessing what Robbins was doing with the coin, the man stopped paying attention to his watch and cell phone.
“We’re your guides, and our job is to misguide you,” Robbins said. “Albert Einstein said, ‘Reality is an illusion, albeit a very good one.’ If somebody can control where you put your attention, then perhaps they can manipulate your reality.”
After the presentations, the magicians discussed the parallels between magic and brain science with Carew and Susana Martinez-Conde of the Barrow Neurological Institute in Arizona, who has studied the neuroscience of magic. In response to a question from the audience, Martinez-Conde noted that susceptibility to being fooled might help diagnose neurological problems.
A disease “might have something to do with the way a subject perceives magic,” she said. Carew added that magic might have therapeutic potential, too, as a means of working with attention.
The ability to use principles of magic to gain insight about the brain, it seems, is no illusion.
-Dan Gordon
For a peek into the life and past of famed neuroscientist Eric Kandel, check out the new documentary "In Search of Memory" (which also happens to be the name of his well-regarded memoir). Here in Chicago, it’s playing through the week of Neuroscience 2009, the Society for Neuroscience's annual meeting, at the Facets Cinémathèque in Lincoln Park.
If you click over to Facets’ page or the main film page (which is partly in German), you can see the first two minutes of the film. It starts as it goes on; director and producer Petra Seeger shows Kandel primarily via his interactions, with family, with her and other interviewers, with colleagues in and outside the lab, with complete strangers and with politicians in Vienna, the city his family had to escape after the Nazis came to power.
Because there is no straight narration and people sometimes aren’t introduced by name, the story can feel fragmented. This impressionistic method works in its own way, though, switching quickly from a family trip to Vienna to research work on why some memories are stronger to a lecture Kandel gives at a synagogue on why he turned from studying human brains to marine mollusks. In its non-linear way, the film travels a pretty straight history of his life.
Kandel has worked to tease out exactly how we remember, including discovering that we have short-term and long-term memories and that they differ in significant ways, findings that led to a Nobel prize. Seeger emphasizes parallels in his life, from his describing leaving Vienna in panic to his return in glory more than 60 years later. Re-enactments of the strong memories he had in Vienna add additional visual parallels, and his interactions with family and lab colleagues now are contrasted with his interactions in his undergraduate days at Harvard.
She also gives Kandel space to describe himself, trademark laugh, a few tears and all. His Jewish faith is a strong current in his life, including “Never forget,” the motto reminding us to remember the Holocaust. “I’ve been investigating the biological basis of that motto,” how memory works in the brain, all his life, he says.
I enjoyed the glimpses of work in the lab--seeing sea creatures in the tank and then under the microscope, translating descriptions on a posterboard, seeing a neuron alight with nerve growth factor. But though the science sections are a good refresher course, they move so fast (and in fragments) that people new to the field will get only the biggest brushstrokes. Even so, we do get a fascinating glimpse into the world of memory and scientific life, given by one of its most successful—and most down-to-earth—practitioners. Do try to see it if you’re in Chicago this week (through Oct. 22), or keep an eye out for it to come near you.
-Nicky Penttila